Copyright © 2009 by B Billy Marse
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H3onE3 Universal Facilitator, Universal Sacrifice and Holy Pi

H3onE3 is an exploration of art, media and history to explore the methods and source of population control. The work will unearth the bones of a lost civilized and advanced society, which physical evidence has been forcibly purged, detached and nearly bleached clean from earth's current native populace. The knowledge will challenge professed beliefs, cultural development, and social evolution, shaking the formidable foundations of an engineered society. It will be both intimidating and daunting to continue to read and discern, at times frightening to push on through the clouds, dust and storms when thirst appears satisfied with blank, habitual and sublime ignorance. With the lack of physical evidence or DNA to explain the nearly un-explainable, what is real will be challenged to be un-genuine. We must walk among the ghosts now, for a measure of time before we may find ourselves among the living. This O' my brothers is the magnificent and mind exploding story of H3onE3.

Act one:

Intro
The bible and linear western media retains two fundamental components that make them similarly unique. One is the environmental record of earth's circular round climatic cycle, which is well outlined in the H2onE2 book. The other component of Linear Western religion and preModern media (art, music, literature and video) is a form of population control which promotes, outlines and hides prophesied characters. These unique actors will be called the Universal Sacrifice (US) and the Universal Facilitator (UF). Together they embody a mystery or ghost to the conscious subconscious mind.
The H3onE3 work will cover the components of the US and UF, their source and future technologies which further take on Homeric elements to uncover 2,500 years of methods and practices of preModern population control. The Hero / Sacrifice model is an extremely effective tool of population control that dates back to ancient Greece with its earliest known utilization of Homeric and Sacrificial media, found in the Iliad and Odyssey written by Homer. The Sacrificial elements of a Homeric hero were later attached to the same conscious / subconscious messages and further enhanced with the introduction of Linear Western Religion. With the launch of sci-fi and fantasy media both natural objects and technological advancements have also become Homeric and Sacrificial elements in media.

This of course will require locating the root of this form of population control and understanding the creation and discovery of Pi = 3.14 to uncover the third element of the trinity which is the Holy Ghost. The physical fundamentals of political control will also be investigated which include war and promoting of social, cultural, racial and community conflict. Nothing found here is a cultural phenomenon, but a well planned, controlled, political method of population control. "Come with uncle," I say, "and hear all proper, hear, hear angel trumpets and devil trombones, you are invited.

Burning man Universal Sacrifice and Executioner
Burning man is a metaphor to the Universal Sacrifice, but also references the early followers of the Christian religion, burned as martyrs for their beliefs. Burning Christians was performed for entertainment of the Roman Caesars; particularly Nero. To understand the Universal Sacrifice (US) and his executioner (UF) first requires an explanation to the psychological background of sacrifice and human's subconscious desire to the sinister deed.
The investigation will include the political and economic benefits to providing a public sacrifice, openly performed in ancient Rome within the gladiatorial games. Who is who, the real identity of the Universal Sacrifice and what preserves him in the land of the living. Finally, scrutinize the mixed messages which both proclaim him as a hero and degrade him, as an unwanted social misfit.

The human attraction to sacrifice is based on historical, evolutionary experiences but most importantly it is rooted in personal self salvation. To the individual, there is nothing personally wrong with sacrifice, as long as you are watching the event and not hanging from the gallows, on a sacrificial alter, tied to a burning stake or become the US. In fact, in historical times, executions were the most popular form of entertainment, an extremely public and ritual event; equal to any religious experience. Entertainment in historical times was minimal, there would be music and some form of traditional dance, but the big top, the main, event always involved an execution of someone outside your group, tribe or developing culture.

In history when humans did not have access to an outside culture worth executing, they found them from within, either someone marked by evil or in association, would be called upon for a sacrifice. Since America developed with a history that included witch burning, in metaphorical relationships, burning man fits into the cultural traditions and associated deviant identities. Realize that either hearing in story, or seeing in image, a sacrifice is equally as powerful as being at the event. This is because a story or picture would live on as infectious, invading the psyche of other primitive preModern humans.

21 Century Sacrifice
In the 21st century most preModern humans have been culturally refined to the point where they find it distasteful to publicly burn someone outside their tribe. Although a secret desire still exists, in humans, and most importantly not be the apogee set aflame. This human desire continues on in popular culture, where it is weaved into every aspect of music, art and popular media. The stronger the media reference to the Universal Sacrifice (US) the greater the attraction is to the media, increasing its popularity. The connection between characters such as Jesus, Little Alex from Clockwork Orange, images of Black Dog, Burning Man or even Homer Simpson is rooted in a methodology of political population control dating back to ancient Greece.

People are not easy to control and psychologically enslave; they require a set of tools to manage their behavior, in order to be completely governed. These tools include both Homeric messages and a connected component of sacrifice. This is the only way less than 1% of the population can control 90% of the wealth. The first known use of this method of population control can be noted in the Greek epic poems called the Iliad and the Odyssey. These stories were created in the 8th century BC, 850 years before Christ by the Greek called Homer. The poems were widely popular because they spoke of a leader, king and savor to come and free the population from the unjustness in their society. Hence the political ideological messages are called Homeric.

The ruling parties in ancient Greece and throughout other lands found that if a population was waiting on a leader to come in the media, or return to free them, this population could be more easily governed. In addition more public wealth could be removed by the leaders of the population; the top 1%. This political methodology was noted throughout the western world and this technique of political control was utilized in the creation of the Abrahamic religions and entwined into the Old and New Testament. The Abrahamic religion added one additional factor to the subconscious Homeric message and it involved combining human's desire for sacrifice; creating the Universal Sacrifice (US) and his facilitator, the UF.

The Universal Sacrifice is a potent structure of political control, because it combines two forms, or tools of public control. It also transmits a psychological message which is, speaking out against the government, religion, media, justice system, or method of political control, could make you into the Universal Sacrifice (US). Remember subconsciously humans like to hear about sacrifice because it assures them, they were not to be the chosen one. Speaking out against a Homeric political system goes against human's primitive attraction to sacrifice. So, this is a well built psychological deterrent to speaking out against a political system, and burning man is just one more reminder of your fate.

The US Seal
The universal problem with the Universal Sacrifice (US) occurred when he was given a real identity and a curse. The drafters of the United States knew the principles and ideology that literally constitutes their forming country would fail at inception; slavery being just one paradigm. The founders answer was to place the Universal Sacrifice (US) on the Virginia State Flag and include a warning or curse. The curse in the Virginia State flag is displayed in the ring of red fire berries. These fire berries are a metaphor to a ring of fire and a warning to the outcome of an executioner or killer of the Universal Sacrifice (US).

This ring of fire warns that harming the Universal Sacrifice (US) pictured on the Virginia State flag will result in being burned to death. The other element worth mentioning about the fire berries is there number, which means more than one executioner will be burned alive. In fact if orders followed a chain of commands the fate would go all the way to the Roman emperor; imaged as Nero but referenced now as the Pope. Hence burning man stands out as both an apogee to the Universal Sacrifice (US) and possibly a warning to the outcome of his identified executioners.

The executioner of Jesus in Abrahamic religion is noted as Saint Longinus commemorated in a giant marble statue in Saint Peter's Basilica, Vatican City. Longinus is noted as the Roman centurion that speared Jesus in the chest after being raised on the cross. His weapon was called the Spear of Longinus later associated and mixed with the Spear of Destiny, a prominent Celtic pagan mythical object.

The Spear of Destiny is one of the four magical Celtic treasures. Its importance is significant because it appears in the hand of the Universal Sacrifice (US) on the Virginia State Flag. The other item to note in the picture is that the simple blue coat worn by the Universal Sacrifice (US), resembles that of a Spartan child's attire. These children were raised as soldiers, both beaten and starved and wore no tunic after the age of seven. Only provided one coat to last them the whole year through, often the children went barefoot.

There is actually duality or a mixed message in the Universal Sacrifice, on one hand he is acclaimed as a hero and on the other ridiculed as a sacrifice. Mixed messages are important so the average 99.9% of the population does not completely understand the messages; or they would fail to work as a method of political control. The Universal Sacrifice is like having an unwanted child, and referenced as such in media like Harry Potter, Luke Skywalker, Denis the Menis or even Bart Simpson.

Of the best media which clearly outlines the Universal Sacrifice training program and development from a mythical creature to a very real person is Clockwork Orange. Being able to interpret the Clockwork Orange media will be essential to understanding the actual development of the Homeric Hero and Sacrificial lamb. So, let's make things nice and sparkling clear.

Clockwork Orange Secrets, Meaning, Metaphors, Homeric and Sacrificial
Clockwork Orange the book and movie, outline many aspects of the life and methods used to build and construct a Universal Sacrifice. The story exploits both metaphors and mixed Homeric and Sacrificial elements to hide the Universal Sacrifice from the conscious, subconscious mind. The true meaning of Clockwork Orange is also cloaked by, reversing the timeline; for later scenes are more suited to Alex's earlier years; especially in regards to his childhood and institutional upbringing.

First off, an exploration of little Alex's youth can be made from many symbolized elements in the story. In the Clockwork Orange story Alex did not hold a job, but his work is well outlined in the suggestive metaphors. The Clockwork Orange story will also be probed for elements that strengthen the link to the medical field which produces the final sacrifice.

The medical field plays an important role in the final development of a Droog. The conclusion will be, Alex was raised in an alternate Spartan fashion as a warrior and later in adulthood hired to run a healing machine, creating Frederick Nietzsche's Superman's Superman and the quintessential duel persona. The physical and psychological contradictions, conditioning and experiences create the Universal Sacrifice, the Vitruvian Man.

The aspects of little Alex's youth are well out lined in the Clockwork Orange Story but mixed to make extraction difficult. The first thing you need to understand is how Spartan children were raised in ancient Greece; it is extremely important to being able to understand and interpret the Clockwork Orange story. The story might also rather stand as a manual, certain parents in the program followed.

The first thing to note in the movie is the uniform worn by Alex and his Droogs. In the movie it is represented as minimalistic, mimicking Spartan children who were only given one coat to last the year; often no shoes. The children were left to the elements, to harden them. Often they went cold, shaking the whole night through.

Alex is physically presented as thin, pale and emaciated; it was common in Sparta to starve their male children. This psychologically develops a super human desire to want things they are never allowed to have. In those times a strong desire was mentally needed to win battles, both physical and psychological conditioning kept the Spartan community safe in a dangerous primitive world.

Chicken Man
In modern times it is not easy to starve your children. To simulate the physical and psychological training required to physically construct a modern Spartan soldier mandated alternative methods. To keep your child hungry, pale and emaciated in modern society required feeding him rotten or raw food; especially chicken. If chicken is not completely cooked it will guaranty a foodborne illness followed by severe vomiting and sickness.

The symbiotic relationship is well noted in the Family Guy episodes where Peter often fights with a large chicken. The raw chicken would make Alex sick, eventually little Alex would avoid all foods and indoctrinate himself in his own training. In the Clockwork Orange story Alex's sickness shows up, near the end and out of context. This hides the true meaning consciously for most of the 99.9% of the population but stimulates the subconscious mind, to both Homeric and Sacrificial elements.

Spartan children are dangerous and a small scuffle could rapidly escalade at school or in the playground. Cafeterias and playgrounds are extremely territorial spaces to children and little Droogies will need to avoid these locations. A Droog chooses to shun these locations for one reason, he knows he has the will to kill, if angered, and perceives every fight as a death match. This was because of his training; the result is an anger that even he fears. The Green Hulk is a good metaphorical representation to the Spartan rage where a flash of boiling blood stirs to the skins surface. "Feeling a bit shagged and fagged and fashed, it being a night of no small expenditure".

It is also important for Alex to experience loss, both toys and friends. Fabulous toys would be provided and then pried away from his clinched fists. Playmates would be removed and he would be dragged through a series of schools. In real life it would be typical for a US to be dragged through eight schools in twelve years.

Schools provided Alex with an experience of abuse and an environment that lacks fairness; this builds a strong distrust and hatred for authority and the educational system. The only success a Droog has in life is seen on the simulated battle ground, the sports field, his teams go undefeated by physically and psychologically dominating his opponent. On his team are other mini Droogs in the US program which included both male and female players. At least one female mini Droog was forced into her own isolation.

Little Alex is represented as highly intelligent, a natural born leader but comes from a disadvantaged background. Usually people like Alex succeed in life or die trying, considering he was raised to fight on the battle field, long after the others were killed off.

Heavy Metal